But then again, this was another Trump production. In his mind, bigger, brighter, louder, and longer is better. However, in pyrotechnics, as in poetry, less is often more.
To begin with, this was not one big show but rather a smaller show that was fired up to twelve times simultaneously. Having a bunch of the same shells going off at the same time is great for adding to the overall number fired but not very interesting visually.
I used to build and shoot shows and I've seen shows in small towns, small cities, and large cities that were half as long and twice as good as Trump's.
One theory in Pyro is that a show should have peaks and valleys, much the same as the ebb and flow of action in films. The peaks can, and usually do, build in intensity as they move to the finale. And the finale itself should progress to a crescendo instead of starting out like a massive fire in a fireworks factory.
I suspect whoever put on this show was given two directives: make it bigger than anything in history and kick back 50% to a John Barron shell company.